History of Weetwood Hall
For guests looking for a contemporary and thriving hotel in Leeds, Weetwood Hall is a number one choice. Part of Weetwood Hall’s unique charm is in its appealing blend of modern and traditional, which stems from a fascinating history.
The oldest part of our stunning Manor House can be found to the rear of the property. Here, stone mullioned windows date back to approximately 1540 when an ancient farm existed on a site known as the ‘Wappentake of Skyrack’. The ‘Wappentake of Skyrack’ was named after a large oak tree that grew in Headingly for centuries.
From around the mid-16th century, the Foxcroft family owned the Weetwood estate. Daniel Foxcroft rebuilt parts of the building in 1625, a date that is proudly emblazoned above the porch of the original entrance to Weetwood Hall.
During Henry VIII’s reign decorative plasterwork became a popular architectural feature, as testified on the ceilings of Weetwood’s Manor House. One such intricate ancient feature that guests have the pleasure of seeing, is a framed lion’s head on the ceiling in the original porch way.
During the 18th century Weetwood was owned by John Gelder. In 1743 an advertisement reading “To be lett, Weetwood Hall, situate in the township of Hedingley in the parish of Leeds,” proves that Weetwood was put on sale at this time.
In the ensuing decades, several different families owned the estate, which was eventually developed by Alf Cooke. Cooke was a wealthy, self-made Yorkshireman, whose initials are still visible on the stone columns which support the wrought iron gates by the main entrance.
During the First World War, Weetwood Hall was taken over by the war office and used as a convalescent hospital for officers.
In 1919 Leeds University bought the estate. The Manor House became private halls of residence for female students and the land was farmed by tenant farmers. Grants were given to pay for the residence fees of up to 30 young women who took up residence at Weetwood Hall. The aim of the grants was that the young students would hopefully become teachers and be inspired by Weetwood’s impressive surroundings, recognising the value of living in such a grand accommodation.
From 1925 – 1927 the Hall was extended with the construction of a large main block. Until this day the extension is still fondly referred to as “1926”.
Weetwood Hall continued as a Halls of Residence for Leeds University until the 1980s when it was decided the facility would be closed.
It was in 1993 when Weetwood Hall was turned into one of the leading hotel and conference centres in the North of England, offering modern and high quality facilities in a site steeped with a fascinating history.
In 2005, a sculpture was erected in the middle of the turning circle in Weetwood Hall’s carpark. Committed to promoting an artisan appeal, we wanted to commission a new piece of artwork that would encapsulate the essence of Weetwood and its unique history.
The inspirational sculptor Steve Blaylock was given the task, whose highly-acclaimed metal work can be seen in many prominent sites, including the Royal Horticultural Society Gardens at Harlow Carr and the BBC’s Blue Peter Garden.
Striving to capture Leeds’ and Yorkshire’s unique identity and culture, Steve Blaylock proposed a cairn of Yorkshire stone that supported an oak tree made of steel and bronze, which was crowned by three magnificent owls.
Owls have been the official emblem of Leeds since the 1660s and the owls that stand proudly aloft the steel and bronze oak tree of Weetwood Hall sculpture gloriously echo the gold statuary that embellishes the Leeds City Council Building.